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Introduction; Land and Resources of Thailand; People and Society of Thailand; Culture of Thailand; Economy of Thailand; Government of Thailand; History of Thailand
The most celebrated architectural form of Thailand is the wat, the Thai Buddhist temple complex. The wat comprises several buildings that serve the religious needs of the laity and the monastic community. Buddhist structures from India, Sri Lanka, Myanmar, and Cambodia influenced the form and decoration of the wat. The temples often have multitiered roofs with rust-colored glazed tiles and overhanging eaves; wooden finials (crowning ornaments) in the shape of mythical beasts; and gold-gilded beams, ridges, and pillars. Ornamental features are often intricately decorated with mosaics of colored glass, mirrors, porcelain, and inlaid mother-of-pearl. Among the country’s many well-known and greatly admired temples are Wat Phra Kaeo (Temple of the Emerald Buddha) and Wat Arun (Temple of Dawn), both in Bangkok. Stone and bronze depictions of the Buddha in sitting, standing, walking, or reclining positions are characteristic Thai sculptural forms. Classic features, such as an oval face and a flamelike protuberance at the head that is seen in works from the Sukhothai period, continue in modern renditions.
Temple mural paintings are one of Thailand’s great artistic achievements. Bold, vibrant colors enhanced with gold leaf adorn walls in many temple buildings in a tapestry-like motif. The scenes, which cover entire walls, are inspired by Buddhist doctrines and usually intended to teach worshipers about religion and morality. They are painted without depth, shadow, or perspective. Some Thai artists, particularly those who have traveled abroad for training or exhibitions, are experimenting with combining Thai Buddhist concepts and western abstraction. Others are producing paintings that maintain traditional Thai cultural values but reflect problems in society. Glazed ceramics are also one of the classic Thai arts. Architectural ceramics adorned the numerous temples built by the kingdom of Sukhothai. Thai glazed ware later included bowls, dishes, jars, bottles, and pots made for export to other areas of Southeast Asia. The Thai crafts of cotton and silk weaving have a long tradition of royal patronage and continue to reflect the country’s distinct national identity. In weaving centers in the north, the northeast, and parts of the south, weavers reproduce traditional Thai patterns. Other crafts include ornamental woodcarving, lacquerwork, and mother-of-pearl inlay. The country is also known for its metalwork, including intricate use of twisted and soldered metal threads to form a filigree pattern.
Thai classical dance developed from the court music of India. Today, the movements of Thai dance and the music accompanying it remain predominantly Indian, although some of the instruments used in a Thai orchestra are unique. A typical work begins with a structured composition that evolves naturally into improvisation. The music and dance of Thailand is closely related to that of Cambodia and Laos. Themes are often drawn from the Ramakien and focus on Rama and his beautiful wife Sita. Private and government-sponsored groups have been working to preserve Thailand’s heritage in music and dance. The premier dance troupe at Srinakharinwirot University has achieved international acclaim for its performances abroad, which have included venues in the United Kingdom, Europe, the United States, and Asia. Some dancers have received royal titles conferred by the king in recognition of their contributions. Thailand’s traditional form of theater is khon (masked drama), which is based on ancient court rituals and depicts tales from the Ramakien. Performances involve elaborate, colorful masks and costumes and highly formalized action. Lakhon, less formal than khon, is a dance-drama involving elegant and fluid movement performed without masks. In nang yai, large, black shadow puppets made from cowhide are manipulated by dancer-puppeteers. See also Asian Theater.
Thailand’s three major libraries are the National Library, the library of the Siam Society (a preeminent research and scholarly organization), and the Neilson-Hays Library. All three are located in Bangkok and contain extensive collections on Southeast Asian culture. The National Museum in Bangkok and its branches in cities throughout the country have collections representing Thai culture from the prehistoric period onwards. The branch in Bangkok occupies a group of buildings, some of which were formerly part of a royal palace. It includes artifacts from the ancient Thai capitals as well as modern crafts. Several traditional Thai teakwood houses are now public museums. The Kamthieng House, originally from northern Thailand, is now located at the Siam Society. The Suan Pakkad Palace includes several traditional houses and a number of art collections. Vimanmek, the world’s largest golden teakwood mansion, was built during the reign (1868-1910) of King Chulalongkorn (Rama V). And the Jim Thompson House, former home of an American who contributed substantially to the development of the Thai silk industry after World War II, houses collections on Thai art and archaeology. The Culture section of this article was contributed by Dawn F. Rooney.
The recent history of Thailand’s economy is defined by more than a decade of sustained and rapid economic growth beginning in 1985, followed by a severe recession that started in late 1997. During the boom years, economic growth averaged more than 7 percent annually, one of the highest rates in the world. The crisis of 1997 and 1998 wiped out some of the gains of the boom and forced major adjustments in Thai industry and economic policy. Many different factors contributed to the rapid growth of Thailand’s economy. Low wages, policy reforms that opened the economy more to trade, and careful economic management resulted in low inflation and a stable exchange rate. These factors encouraged domestic savings and investment and made the Thai economy an ideal host for foreign investment. Foreign and domestic investment caused manufacturing to grow rapidly, especially in labor-intensive, export-oriented industries, such as those producing clothing, footwear, electronics, and consumer appliances. These industries also benefited from a tremendous expansion in world trade during the 1980s. As industry expanded, many Thai people who previously had worked in agriculture began to work in manufacturing, slowing growth in the agriculture sector. Meanwhile, manufacturing growth spurred the expansion of service sector activities. By 2006 Thailand’s per capita income reached $3,050, making it an upper-middle income developing economy. Although Thailand was technically still a poor country, spectacular income gains enjoyed by the urban middle class made the country one of the world’s large markets for luxury cars and other expensive consumer goods. However, by Asian standards the gains of growth were not distributed equally among the Thai population: between 1981 and 1994 the incomes of the richest 20 percent of the population grew significantly in comparison to those of the poorest 20 percent. Nevertheless, nearly all Thai benefited in some fashion from growth. The percentage of the population living in poverty fell from 23 percent in 1981 to less than 10 percent in 1994. In the early 1990s a series of economic policy reforms introduced by the Thai government made it easy and attractive for foreign banks to offer loans to Thai banks. The Thai banks used the capital to lend money to domestic finance companies, property developers, and other investors, stimulating an investment boom. In an atmosphere of great optimism about continued rapid growth, the resulting investment boom created a “bubble economy” based on speculation in urban property and stocks. The bubble burst in 1996 and 1997, when stock and property prices declined steeply. As speculators in these sectors failed to repay loans, many Thai banks became unable to service their foreign debt, causing investor confidence to fall sharply. The consequent outflow of capital caused the Thai banking system to crash in mid-1997. The resulting credit shortage drove many companies into bankruptcy and created a large pool of unemployed workers. Thailand’s economy remained deep in recession through 1998, with gross domestic product (GDP) shrinking an estimated 8.5 percent that year. In the early 2000s Thailand made a full economic recovery, driven by strong growth in exports.
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